Greece 1935-1938: Involuntary Testimonies

For the really significant history is that grass roots history which reveals the everyday life of people, in their homes, and at their retreats, in their work and in their play, in turbulence and in repose.
Theodore C. Blegen, 1948

“I suppose you have heard about the Revolution which is taking place here. It began last Friday night -March 1st. During dinner we heard various rumblings and shots out in the city, but didn’t think much about it, believing them just the ordinary noises of the city. But afterwards they became so pronounced that we knew something was happening. So Betty [Dow] and I went down-town, in the direction from which the shots came. We met many troops marching through the streets, and finally came to the region where the firing came from – near the Akropolis. A revolution is such a strange thing here – everyone takes it as a matter of course, and a little as a joke – and the firing isn’t widespread at all. We were able to approach so near –without any danger – that we witnessed a tank storming a barracks for soldiers, and saw the firing on both sides… after the attacks on the barracks which we saw (we were in a crowd of about 25 – the sole witnesses), we saw other tanks, at close range and finally came upon battalions of soldiers drawn up with guns and bayonets in the streets and ready for action… ” wrote Richard (Dick) H. Howland, age 25, to his family back in America.

Most of Howland’s letters carry the “Stadium” stamp, which was issued in 1932 as a supplementary stamp of the 1927 “Landscapes” set. The “Stadium” was withdrawn from sale in 1939. Photo: ASCSA Archives, Richard Howland Papers.

The attempted coup d’état of March 1, 1935, a failed Venizelist revolt against the government of Panagis Tsaldaris, would hasten the collapse of Greece’s short-lasting parliamentary democracy (1924-1935) and the return of the king in November that same year. Fifteen months later, on August 4th, 1936, Howland, Gladys Davidson, and a few others from the School would look desperately for a taxi to take them to Piraeus to catch the boat to Istanbul. Howland reported to his family that they managed to arrive in the harbor “despite the fact there was a taxi strike in town and a general strike of all workers because the premier of Greece had just made himself dictator. Soldiers in the streets everywhere, but no goings-on. No newspapers published at all that day. I have learned since, of course, that it all went off quietly and things settled down, but as we left, it looked as though we were going to miss a big revolution.”

Having come to Greece in the fall of 1933 to attend the year-long program of the American School of Classical Studies at Athens (ASCSA or the School hereafter), Howland and his peers at the School became “witnesses in spite of themselves” to critical events in the political history of the nation (Ricoeur 2006). Their “involuntary testimonies” (and the “target of a historian’s indiscretion”) may or may not add new information to what was already described in the press at the time but they suggest real potential for any systematic study of mundane history which lies unacknowledged or hidden in archival reserves. This is a type of social history, one that starts from the bottom rank of social agency, even if, in our case, the agents were privileged foreigners living protected lives within the walls of the “white tower” of academia.  This is also “applied history” in the sense that it engages and connects its readers with “large history,” and allows, as in novels, “one’s own mind to be temporarily inhabited by that of another person” (Phillips 2017).

The King Does Not Eat Better Food Than We Do

“I haven’t met the King yet, but then, none of the American School, even the Director has. We trade at the same grocery, however, and the King has no better food to eat than we do. Very often, when we stop by in the evening for a box of crackers, some cheese, or wine, we see the King’s kitchen buying a can of peaches or something similar for the royal dessert” Howland wrote on Feb. 9, 1936. A week later, at the School’s Open Meeting, “his highness, the Crown Prince Paul sat down in front, and left as soon as it was over, not stopping to talk to anyone except to say a word to Dr. Shear and Dr. Capps, the Director” he reported to his family with some disappointment, not perhaps realizing that there was probably a better explanation for the Crown Prince’s lack of interest in socializing with the leadership of the American School. It must have been known to the royal family that both T. Leslie Shear and Edward Capps had been ardent supporters of former Prime Minister Eleutherios Venizelos. In fact, immediately after Venizelos’s death on March 18, 1936, Stuart Thompson, the architect of the Gennadius Library, was asked, most likely by Capps, to draw up plans for an extension to the building which would be named after Venizelos (“Μουσείον του Ελευθερίου Βενιζέλου”). (The plans, long-forgotten, were discovered in a closet of the Gennadius Library during construction work in 1999; see Kalligas 2004).

Plan for the “Venizelos Library and Museum” next to the Gennadius Library, July 20, 1936. Photo: ASCSA Archives, Architectural Plans.

Howland’s wish to meet or, at least see, King George II up close was granted a year later, at the Open Meeting of the French Archaeological School. Howland noted (February 19, 1937) that “the king, who sat in a chair about 15 feet away from mine, looked tired and thin and yellowish, as if he was getting jaundice. He left the minute it was over, of course, as a King can’t stick around to chat with people… ”.  A month later he would find King George attending the Archaeological Society’s meeting “where the lecture was delivered at break-neck speed – in order not to tire the King…” (March 21, 1937). Deserted by his wife, Queen Elizabeth (the former Princess Elisabeta of Roumania), who divorced him in July 1935, and childless, the King cultivated a reserve that was noticeable to everybody.

From a late visit of King George II to the ASCSA in 1940. Front row (left to right): Theodore Leslie Shear, ?, King George II, Annette Stevens, Lincoln MacVeagh, Gorham P. Stevens. Photo: ASCSA Archives, Administrative Records.

Howland’s descriptions of the royal family’s aloofness provide a sharp contrast to the narratives of other members of the School from the earlier 20th century. The letters of Nellie Marie Reed (1895-1896), Ida Thallon (1899-1901), Theodore Heermance (1903-1905), and those of long-time Athenian residents Carl Blegen and Bert Hodge Hill describe the court as lively and hospitable during the reign of King George I and Queen Olga, and later during the short reign of King Alexander (1917-1920). But back then, the royal family had not yet experienced long periods of ­­­exile and the extent of Venizelos’s power over the Greek people.

Looking Like an English Lord

Richard Hubbard Howland (1910-2006) was born and raised in Providence, Rhode Island. He studied at Brown (B.A., 1931), Harvard (M.A., 1933), and Johns Hopkins (Ph.D., 1946) universities. Following the end of WW II, he made a career in historic preservation in the U.S., the U.K., and Ireland. He served as the first president of the (U.S.) National Trust for Historic Preservation (1956-1960) and served for many years in various positions at the Smithsonian Institution.

From 1933 until 1938 Howland lived in Athens, first as a student and later as a fellow of the ASCSA, excavating both at Corinth and the Athenian Agora. Having lost his mother in 1932, he addressed most of his letters to an extended family (“Dear Folks”), the Hubbards and the Howlands, who lived in a “two-family,” eight bedroom house (according to the State of Rhode Island Historic Property Search) on 89 and 91 Whitmarsh Street, Providence.  There he took great care of his appearance — always impeccably dressed— and surroundings. Tall, blond, and handsome, he was often mistaken for a noble Englishman during his time in Greece. In a few cases he was even mistaken for the Crown Prince and “treated to much embarrassed formality, which fled when they found out I wasn’t,” he wrote after a week of vacation at Corfu in July 1938.

Richard Howland outside Loring Hall, ca. 1934. Photo: ASCSA Archives, Richard Howland Papers.

During his second year in Greece he met Carol Bullard, whom he initially described as “a Chicago debutante with lots of money and no ideas at all of archaeology. Her aunt [Ada Small Moore] gave the new Corinth Museum, and thought her niece might enjoy a year in Greece…” Soon after, however, he would take Carol to late dinners and dancing at the Cosmopolite Roof, the Fix Brewery “where there is an excellent restaurant run by a Hungarian, in connection with the brewery,” and the Glyphada Casino (July 27, 1936).

Carol Bullard and Richard Howland clad in Skyrian costumes, Skyros ca. 1935. Photo: ASCSA Archives, Richard Howland Papers.

By the 1930s Glyphada, a newly developed suburb on the south side of the city, had become the preferred recreational destination (including night swims) for Americans and other foreigners living in Athens. In July 1937, Henry Beck, the U.S. Vice Consul, hosted a big party “at his villa in Glyphada – a buffet cocktail and supper on the terrace, with musicians in a balcony above. Afterwards dancing and at midnight, when the moon came up, everybody got into a small boat and were paddled, with the musicians, to the Glyphada casino, for more dancing. It was quite a brawl” (July 17, 1935 to Gladys Davidson, with whom he shared a close friendship). After two years of courtship, he and Carol were married in 1937 setting up their first household on the second floor of a house behind the School on Dinokratous Street. The uncertainty of the times, however, forced them to return to America in 1938. After their divorce in 1942, Howland did not remarry but continued to lead a vigorous social life that contributed to successful fundraising for the institutions he served. As chairman of the School’s Managing Committee (1965-1975) he persuaded Claire Woolie Mayer to donate her house in New York to the American School in 1974. The so-called Mayer House housed served for years as the School’s base of operations in America until it was sold for $5,850,000 in 1998, thus enriching the ASCSA’s endowment.

But for Classical archaeologists (and I have to admit it took me some years to realize this) his most lasting contribution to the field was Greek Lamps and Their Survivals (Princeton 1958) —a.k.a. Agora IV. Sixty years after its publication it remains one of the most important reference volumes in Greek archaeology. Very few, however, are aware of the man behind H[owland]T[ype] 24, or HT 25 Prime.

An Innocent Abroad

I was, however, fortunate to meet Howland in 1996 on his last journey to Greece — an elderly, distinguished man who walked into the Archives and introduced himself as Dick Howland. He had brought with him his collection of photos from his various times in Greece. He had already entrusted his personal correspondence to his old friend and Trustee of the School Doreen Canaday Spitzer. (His photographic collection, as well as that of Gladys Davidson Weinberg, was digitized as part of a recent ESPA project.) Although there are a number of photographic collections from the 1930s in the School’s Archives, Howland’s letters to his family are perhaps the only written record preserving information about the daily activities of the small “colony” of American expatriates living in Athens during that decade. Dorothy Burr Thompson’s diaries at Bryn Mawr College also exist, but after 1933 these accounts are limited to descriptions of summer visits. There also are the M. Alison Frantz’s papers in the Firestone Library at Princeton, which I have not yet had the pleasure of reading.

A few years ago Kostis Kourelis published a rich and multi-layered essay exploring the avant-guard leanings and bohemian background of several of the School’s members, including directors Rhys Carpenter, Richard Stillwell, and Charles Morgan, artists Piet de Jong and Georg von Peschke, and their occasional interactions with members of the Greek “Thirties Generation” through the extended social circles of Eva Palmer Sikelianos and Joan Bush Vanderpool (Kourelis 2007).  Howland did not belong to this group, either because he was too young, just “an innocent abroad,” or perhaps because the “others” (i.e., the Carpenters and the Stillwells) were an exception to the rule. His letters rarely mention social interactions outside the orbit of the American colony in Athens. Although he and others from the School were invited to parties at Olga Cheimonas’s new apartment on Speusippou street — Mme Cheimona being the Russian widow of Greek-Russian painter Nikos Cheimonas (1866-1929) — where they might have met Greek artists, these encounters seemed not to have generated new ones (July 17, 1935 to GD). (I must mention here that the School owns two paintings by Nikos Cheimonas, which are currently on display in the dining room of the Director’s residence.) On another occasion, he, Gladys, and Ted Erck (Assistant Librarian at the Gennadius Library) “were invited to the Vanderpools for dinner. The Sikelianos were there…; we had a good dinner down in their garden” (July 27, 1936), but again he did not seem to have been able to reach out further  into contemporary Greek intellectual circles.

The program from Dimitri Mitropoulos’s Concert at Old Corinth, 1936. Photo: ASCSA Archives, Oscar Broneer Papers.

On Sunday morning, September 27, 1936, Howland and others from the School visited Corinth “as the Athens Symphony Orchestra with Mitropoulos directing, gave a concert in the ancient theater, at old Corinth” attended by 3,000 people. “The concert was very good, Beethoven’s 1st and 7th Symphonies and was well appreciated, despite the rain which immediately preceded it.” (The program from that event has survived in the papers of Oscar Broneer, who also must have been in attendance.)

A few months later, during the week of April 17, 1937, Howland represented Brown University at the festivities for the 100th Anniversary of the University of Athens. There is a great photo in the Howland papers commemorating the event, which was attended by many members of the School who had been appointed delegates of American Universities.

Ida Thallon Hill, Charles Morgan, Oscar Broneer, Elizabeth Pierce Blegen, Hazel Hansen, Arthur Parson, U.S. Minister Lincoln MacVeagh, and Richard Howland at the 100th Anniversary of the University of Athens, 1937. Photo: ASCSA Archives, Richard Howland Papers.

But most often, when Carol Bullard was not in Athens, Howland would dine with Rodney Young, Gladys Davidson, Alison Frantz, and Mary Zelia (Philippides). Other guests on these evenings might have included junior members of the U.S. Legation such as vice-consul Burton Berry (1901-1985), Henry Beck (died in 1939), and Harold Schantz, all bachelors with a laissez-faire attitude to life and a preference for Balkan or Eastern Mediterranean posts. Ambassador Charles W. Yost, in his memoirs, described Beck, upon his arrival in Alexandria in 1931, as a “natty little man in a Panama hat and tropical suit” who introduced him to the talents of an Egyptian belly dancer. Burton Berry who spent many years between Istanbul and Athens before he was appointed Ambassador to Iraq (1952-1954), is mostly known today for his valuable textile collection (Art Institute of Chicago) and his coin collection (American Numismatic Society).

As a couple, Howland and Carol socialized with the Joneses, the Kohlers, and the Rankins. G. Lewis Jones (1907-1971), Assistant Commercial Attaché at the U.S. Legation in Athens (1935-1939) would later become Ambassador to Tunisia (1956-1959) and Assistant Secretary of State; Foy D. Kohler (1908-1990), the Legation’s Secretary from 1936-1941, who would conclude his diplomatic career as Ambassador to the Soviet Union (1962-1966); and Karl Rankin (1898-1981), the Commercial Attaché (1932-1939), would later be appointed U.S. Ambassador to China (1950-1953) and Yugoslavia (1953-1957). To a mover and shaker like Howland these early brushes with the diplomatic corps must have come in handy later in his career, as the head of U.S. cultural foundations. (With this new information in mind, his chairmanship of the ASCSA Managing Committee deserves to be studied anew.)

The Magic of Old Corinth

If life in Athens required compliance with a certain decorum, the rural environment and simplicity of life at Old Corinth not only freed the School’s students from the city’s dos and don’ts, but also encouraged contact with the locals during excavation or time at the dig house. Apart from the local hospitality, this was for many their only opportunity to practice Greek, or even learn αρβανίτικα. “It is spoken in Corinth very much, as most of the natives for miles around are of Albanian descent. It causes them great amusement to hear me speak it… I have had one ‘lesson’ from Argyrie, my pot mender. The maid, Helene, nearly dropped the soup when I talked to her in Albanian, and returned to the kitchen where she told the cook and the other maid about it with great astonishment. She’s my friend for life,” he wrote to his family with pride (Oct. 28, 1934).

Richard Howland and the Lekkas family after the baptism,  Old Corinth 1935. Photo: ASCSA Archives, Richard Howland Papers

And indeed, young Richard did not hesitate to form a life-long relationship with one of the local families, when Evangelos Lekkas, the foreman of the dig, “asked me to baptize and be godfather to his daughter aged 10 months… In Greece it is quite a thing to be a Godfather… So according to customs and much advice from Greek friends in Athens, I went down to Corinth armed with a complete Baptismal outfit… all nicely embroidered, seven candles to use during the ceremony, a cake of soap, oil and incense, [and] some forty tin crosses to give to each guest as a souvenir, and last but not least a cash present to start a bank account for the baby. Any money I may have spent was certainly worth it, for I never had such a time in my life” (Jan. 21, 1935). Proof that he was not an “accidental” godfather, sixteen years later, in 1960, Howland would become again νονός, this time to Lekkas’s grandchild; and every time he came to Greece, even during his last visit in 1996, he would travel to Corinth to spend time with his Greek family.

Richard Howland baptizing Lekkas’s grandchild, 1960. Photo: ASCSA Archives, Richard Howland Papers.

 


References
I have borrowed the terms “involuntary witness” and “witnesses in spite of themselves” from Paul Ricoeur’s Memory, History, Forgetting, trans. K. Blamey and D. Pellauer, Chicago 2006.
Blegen, T. C. “The Saga of Saga Hill,” Minnesota History 29 (1948), pp. 289-299.
Kalligas, H. “1936: Μουσείον του Ελευθερίου Βενιζέλου,” The New Griffon 7 (2004), pp. 33-35.
Kourelis, K. “Byzantium and the Avant-Garde: Excavations at Corinth, 1920s-1930s,” Hesperia 76 (2007), pp. 391-442.
Phillips, S. “Should you Feel Sad about the Demise of the Handwritten Letter?” Aeon Magazine April 12, 2017 (https://aeon.co/ideas/should-you-feel-sad-about-the-demise-of-the-handwritten-letter, accessed April 30, 2017).

 


Athens at the Turn of the Century: A Sentimental Capital and a Resort of Scholars

On February 17, 1901, a young American archaeologist and member of the American School of Classical Studies at Athens (ASCSA or the School hereafter) was “roaming over the city in search of Mr. Kavvadias, the general ephor of antiquities in Athens, in order to get a permit to begin work at Vari tomorrow” (letter of Charles H. Weller to his wife).  Together with a small group of students from the School, he had conceived of the idea of conducting a small excavation at the Vari Cave on the southern spur of Mount Hymettus, near the ancient deme of Anargyrous. Known since the 18th century, the cave had been visited and described by several European travelers who were particularly taken by the reliefs and inscriptions carved on its walls.

Vari Cave interior with sculpted figures, 1923. Source: ASCSA Archives, Dorothy Burr Thompson Photographic Collection.

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The Spirit of St. Louis Lives in Athens, Greece

Have you noticed that in the last ten days the press has been flooded with articles about the Doomsday Clock?  Here are some of the titles: “The Doomsday Clock is the closest to midnight since 1953” (Engadget, Jan. 28, 2017), “Nuclear ‘Doomsday Clock’ ticks closest to midnight in 64 years (Reuters), “Doomsday Clock Moves Closer to Midnight, Signaling Concern Among Scientists (The New York Times, Jan. 26, 2017), and “The Doomsday Clock is now 2.5 minutes to midnight, but what does that really mean? (Science Alert).

Martyl's design of the Doomsday Clock for the Bulletin of Atomic Scientists

Martyl’s design of the Doomsday Clock for the Bulletin of Atomic Scientists

The Doomsday Clock was created in 1947 by members of The Bulletin of the Atomic Scientists’s Science and Security Board; several of them were part of the “The Manhattan Project” that led to the creation of the first atomic bomb. (For those of you who want to learn more about “The Manhattan Project,” I recommend a drama series that premiered in 2014; although the series was discontinued after the second season, it featured good acting and it was fun to watch. Also see Jack Davis’s Communism In and Out of Fashion, Sept. 1, 2016.)  “Originally the Clock, which hangs on a wall in The Bulletin’s office at the University of Chicago, represented an analogy for the threat of global nuclear war; however, since 2007 it has also reflected climate change and new developments in the life sciences and technology that could inflict irrevocable harm to humanity… The Clock’s original setting in 1947 was seven minutes to midnight.  It has been set backward and forward 22 times since then, the smallest ever number of minutes to midnight being two in 1953, and the largest seventeen in 1991” (after Wikipedia, accessed 28/1/2017). As of January 2017 (and this explains the flurry of articles in the press), the Clock has been set at two and a half minutes to midnight, a reflection of President Trump’s comments about nuclear weapons: “The United States must greatly strengthen and expand its nuclear capability until such time as the world comes to its senses regarding nukes.” Trump posted this remark on Twitter on December 22, 2016, and followed it with an even more worrisome comment: “Let it be an arms race,” he said, referring to the Russians.

While reading the history of the Doomsday Clock my eyes happened to fall on the cover of the 1947 Bulletin of the Atomic Scientists, which featured for the first time the Clock (at seven minutes to midnight), and the name of the artist who had designed it: Martyl Langsdorf. Martyl is an unusual name, and I had seen it before. I went to the Archives Room of the American School of Classical Studies (ASCSA or the School hereafter), where we keep the School’s administrative records, and personal papers of its members. There, hanging on one of the walls, was an abstract painting depicting a mountainous landscape, and signed in the bottom left corner: “Martyl.” To my surprise, when I checked our inventory, there was a second work of art, an etching, by “Martyl” in the Archives of the ASCSA. But this one also carried a personal dedication: “To George and Lela with affection and admiration, Martyl.” This meant that Martyl’s other painting had also originally belonged to George and Lela Mylonas. Read the rest of this entry »


The Man from Damascus, the Good Wife, and Baby Solon: R.I.P. at the American School of Classical Studies at Athens

ASCSA Library, 1902

ASCSA Library, 1902

“You enter a reception hall of marble and go up a flight of marble steps which give the effect of entering a museum, as there are marble busts and old sculptures round that have been dug up…” Major A. Winsor Weld wrote to his wife on October 26th, 1918, upon entering the American School of Classical Studies at Athens (ASCSA or School hereafter). He and six other officers of the American Red Cross including Lieutenant Colonel Edward Capps would live in the School’s premises until July of 1919. (At the time one entered the Library through the Director’s residence.) Although the ASCSA was already building a small collection of antiquities –mostly pottery sherds and other small objects picked up on walks and informal surveys– the antiquities Weld described are of a different scale. The busts he refers to must have been plaster casts of originals similar to the one displayed above the fireplace mantle in the Library in a photo from 1902. I believe that the other “old sculptures” on display, the ones that “have been dug up,” were three Roman marble funerary reliefs unearthed in 1894, at the corner of Vasilissis Sophias (then Kephissias) and Merlin (then Academy) street, exactly opposite the Palace (now the Greek Parliament), during the construction of a mansion by Charles Edward Prior Merlin (1850-1898). Named after one of Merlin’s French ancestors, the “Hôtel Merlin de Douai” has housed the French Embassy since 1896.

“Hôtel Merlin de Douai” (French Embassy at Athens)

The “Hôtel Merlin de Douai” (French Embassy at Athens)

“In digging for the foundations of the large house which Mr. C. Merlin, the well-known artist and photographer of Athens, is building at the corner of Academy and Kephissia Streets, the workmen came upon considerable remains of an ancient cemetery. At my suggestion Mr. Merlin made over to the American School the right of publishing these discoveries, and afterwards generously presented to the School three reliefs and one other inscribed stone, together with some smaller fragments. The finds were made in the autumn of 1894. Only a part of them came under my observation at the time; hence the description of the graves and their location rests in part upon the accounts of Mr. Merlin and his workmen” reported Thomas Dwight Goodell a year later (American Journal of Archaeology 10, 1895, pp. 469-479).

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Who Went to Schliemann’s Wedding?

Posted by Curtis Runnels

Curtis Runnels, Professor of Archaeology at Boston University, here contributes to From the Archivist’s Notebook a story about the accidental discovery of an original letter by Heinrich Schliemann at an Antiquarian Book Fair in Boston. The letter was found inside an old Greek-English lexicon that Runnels bought for his book collection.  In addition to doing fieldwork and publishing extensively on Palaeolithic archaeology in Greece, Runnels is also the author of The Archaeology of Heinrich Schliemann: An Annotated Bibliographic Handlist (Archaeological Institute of America; available also as an ebook from Virgo Books).


Experienced booksellers and collectors always look through old books that come into their possession to see what might have been left between the pages.  Some people make collections of their finds, which range from the curious to the valuable.  It can be an exciting business: almost anything may turn up in a book, from gold coins and paper money to love letters and flowers—even a strip of bacon (cooked or uncooked, one wonders).  It was a matter of habit, therefore, that induced me to leaf through an old Greek-English lexicon that I purchased last November at the Boston International Antiquarian Book Fair.  Of all the finds I have made in old books, this was perhaps the best: a letter written by Heinrich Schliemann.  It was tucked inside the first volume of A Lexicon of Modern Greek-English and English-Modern Greek by N. Contopoulos, which was published in two volumes in 1867 [volume 1] and 1869 [volume 2] in Smyrna by B. Tatikidou (vol. 1) or B. Tatikianou (vol. 2). Read the rest of this entry »


The Bohemian Past of Madame Gennadius

On Saturday December 27, 1902, a well-publicized wedding took place in London.  John Gennadius, former ambassador of Greece to England and a great book-collector, age 58, and Florence Laing, the youngest daughter of Samuel Laing and the widow of painter Edward Sherard Kennedy, age 47, were married in a double ceremony, first at the Greek Orthodox church of St. Sophia and later that day at the Anglican church of St. Peter’s at Cranley Gardens.  There are no photos capturing the ceremony or the reception that followed, but Gennadius, the creator of more than seventy scrapbooks, did keep numerous newspaper clippings announcing this celebrated marriage. More than a few of them mention that the bride had an annual income of roughly 8,000 pounds, leading some to hint that it may have been a marriage of convenience. Time proved that their union was a harmonious one; it lasted 30 years until his death in 1932. She outlived him by another twenty years. The Gennadius Library of the American School of Classical Studies at Athens (ASCSA or the School hereafter) was the offspring of their union. The deed of gift was signed in 1922 and the building was completed in 1926.

John and Florence Gennadius, ca. 1925. Source: ASCSA, Gennadius Library.

John and Florence Gennadius, 1920. Source: ASCSA, Gennadius Library.

The best source for John Gennadius’s life is a small, but thorough, booklet, Joannes Gennadios, the Man: A Biographical Sketch (1990), by Donald M. Nicol, director of the Gennadius Library (1989-1992). In it, there is very little information about the circumstances of how Gennadius met Florence Laing Kennedy. Nicol suspects that they were introduced by “Prince Alexis Dolgoruki, an acquaintance of Gennadios, [who] had married an English lady, Miss Fleetwood Wilson, who was an old friend of Florence.” In an endnote, Nicol mentions that Florence was an artist in her own right, having exhibited her “genre paintings” in the Royal Academy and other London galleries between 1880 and 1893. Read the rest of this entry »


Communism In and Out of Fashion: The American School of Classical Studies at Athens and the Cold War

Posted by Jack L. Davis

Jack L. Davis, Carl W. Blegen Professor of Greek Archaeology at the University of Cincinnati and a former director of the American School of Classical Studies at Athens (2007-2012), here contributes an essay about attitudes of the ASCSA and its members toward Communists and Communism in the 20th century.


“Feeling they were witnessing the demise of capitalism, many writers moved left, some because their working class origins helped them identify with the dispossessed, others because they saw socialism or Communism as the only serious force for radical change, still others because it was the fashionable thing to do; they went where the action was.”
Morris Dickstein, Dancing in the Dark (2009), pp. 16-17.

DancingDark_smallIn 1974, when I first arrived at the American School of Classical Studies at Athens (ASCSA or the School hereafter), we youngsters were told that we should not express our political views in public. The ASCSA’s institutional mission might be hurt, were it perceived not to be neutral. In September 1974 that was certainly a reasonable position for the ASCSA to assume. Yet I was curious. In 1974, I was myself radicalized, and had definitely headed left. I could not condone U.S. policy in respect to the Junta, or the suppression of the Left in Greece. Could I say nothing? Had the ASCSA always maintained a position of strict neutrality? Or were its postures more convenient than sincere? Read the rest of this entry »