The Cretan Idyll of Harriet Boyd and Charles Henry Hawes

BY CURTIS RUNNELS – PRISCILLA MURRAY

Curtis Runnels, Professor of Archaeology at Boston University and an expert in Palaeolithic archaeology in Greece, and his wife Priscilla Murray, an anthropologist and Classical archaeologist, here contribute to From the Archivist’s Notebook a story about their purchase of a sketchbook from the early 20th century with watercolors depicting places and people on Crete.

We visited an antiquarian bookfair in Concord, New Hampshire, about twelve years ago and a booth belonging to a dealer from Vermont, who specialized in original artwork, caught our eye.  Sorting through piles of miscellaneous materials, we found a few things relating to Greece, and a small (8 by 4 inches; 20 x 10 cm) artist’s sketchbook grabbed our attention.  It was displayed on a table opened to a watercolor view that seemed familiar.  Surely it was the entrance to the harbor at Herakleion on Crete!  And indeed, penciled in one corner was the inscription “Candia,” the older name for the city which both confirmed the identification and provided a clue that the sketchbook, as dealers in antiques like to say, “had some age.”  There were other artworks in the sketchbook that are dated to April 1905, and still others with various dates in 1915, and one dated to 1916.  The artwork from 1905 was the most interesting for us.  Turning the pages of the sketchbook we saw line drawings of dancers at Knossos and a man drawing water from a well in Siteia, pastels of houses labeled Knossos and “Sitia, as well as watercolors and line drawings of Mykonos, Ios, and other Cycladic islands, Sounion, and Athens.  The unknown artist was interested particularly in the new Minoan finds from Knossos as is evident from the line drawings of wall paintings and artifacts in the “Candia Museum.”

Although there is no artist’s signature, we guessed that the artist must be someone interesting, perhaps even someone we would recognize.  After all, how many Americans or British travelers (the fact that the titles are in English is the reason for assuming the nationality of the artist) were sufficiently interested in Knossos and the Minoans to visit Crete in 1905 at a time when there was much unrest on the island?  We bought the sketchbook and took it home to do more research. 

Watercolor of Candia
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At Home with the Schliemanns: The “Iliou Melathron” as a Social Landmark

Heinrich Schliemann, the famous excavator of Troy, Mycenae, and other Homeric sites, was born in Germany on January 6, 1822–the Epiphany for western Europe and Christmas Day for other countries such as Imperial Russia and Greece which still used the Old (Julian) Calendar until the early 20th century. A compulsive traveler, Schliemann rarely returned to Athens before late December or early January, just in time to celebrate both his birthday and Christmas on January 6th.

From today and throughout 2022, many institutions in Europe, especially in Germany but also in Greece, will be commemorating the bicentennial anniversary of his birth. The Museum of Prehistory and Early History of the National Museums in Berlin is preparing a major exhibition titled Schliemann’s Worlds, which is scheduled to open in April 2022. Major German newspapers and TV channels are in the process of producing (or have already produced) lengthy articles and documentaries about Schliemann and his excavations at Troy in anticipation of the bicentennial anniversary, and Antike Welt has published a separate issue, edited by Leoni Hellmayr, with eleven essays about various aspects of Schliemann’s adventurous life.

The American School of Classical Studies at Athens, where Heinrich’s and Sophia’s papers have been housed since 1936, in addition to contributing to all the activities described above, will be launching an online exhibition, The Stuff of Legend: Heinrich Schliemann’s Life and Work, on February 3, 2022, showcasing material from the rich Schliemann archive.

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Of American Expat Thanksgivings in Greece

I still remember my first Thanksgiving at the American School of Classical Studies at Athens (the ASCSA or the School hereafter) in 1989. We had just returned from a ten-day trip through the Corinthia with Mr. Williams [Charles K. Williams, the Director of the Corinth Excavations], which also marked the end of the School’s fall program. We only had a few hours to rest and get ready for the big event: cocktails at 8 followed by dinner at 8.30. I had never seen Loring Hall so crowded and festive. Director William (Willy) Coulson and his wife Mary Lee were the hosts. Eight large tables filled the dining room; more were in the salonaki for families with young children. In later years as the numbers of guests increased, the party would take over the saloni for dinner and dancing afterwards.  

Thanksgiving 1989. From left to right: Ted Coulson, Willy and Mary Lee Coulson, Kevin Glowacki, and Nancy Klein. ASCSA Archives, Events Photographic Collection

I attended many of the School’s Thanksgivings, and these events were the source of many fond memories. When our son was born in 1999, we skipped the party but took him (then barely 6 months old) earlier in the day to see the roasted turkeys in Sakis’s kitchen. We eventually stopped going because of conflicts with our son’s schedule and our desire to start our own family tradition for the holiday.

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The Artemision Shipwreck: Sinking Into the ASCSA Archives

In late 1928 the Greek and the international press published several articles and photos of a sensational archaeological discovery: a large bronze male statue found near Cape Artemision, in the north of Euboea. On central display at the Archaeological Museum in Athens since 1930, the statue is known to the public as the Aremision Zeus (or Poseidon).

The Artemision Zeus (or Poseidon) at the National Archaeological Museum, photographed by Alison Frantz in 1957. ASCSA Archives, Alison Frantz Photographic Collection.

Two years before, in the same area, fishermen had caught in their nets the left arm of a bronze statue that was also transferred to the National Museum in Athens. That discovery did not, however, provoke any further archaeological exploration in the area, most likely for fiscal reasons. But then in September 1928, the local authorities in Istiaia, a town in northern Euboea, were informed of illicit activity in the sea near Artemision. Acting fast, they sailed to the spot and caught a fisherman’s boat filled with diving equipment. Not only that, its crew had already pulled out the right arm of a bronze statue. A few days later the authorities were able to bring up from the bottom of the sea a nearly complete male, larger than life, statue. The first photos showed the armless statue laying on its back on a layer of hay (Note how the area of the genitals has been conveniently darkened in the newspaper photos so that the public would not be offended by the nudity of the statue.)

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The Cretan Diaries of Colonel Émile-Honoré Destelle (1897-1898)

Following the Cretan revolt of 1896, six Great Powers (Austria-Hungary, France, Germany, Italy, Russia, and England) sent a squadron of warships to Crete in early 1897 to maintain the fragile peace between the Muslim and the Christian communities. France appointed Admiral Édouard Pottier (1839-1903) to lead her naval forces. The French division included Colonel Émile-Honoré Destelle (1856-1944), who brought previous experience in the colonies of New Calydonia and Madagascar. The Colonel disembarked on Crete in February of 1897 to supervise the administration of the eastern part of the island.

I would not have known about Destelle had I not come across the publication of his military diaries from 1897 and 1898 on a recent visit to the Historical Museum in Herakleion (a must for anyone visiting Crete). Edited by his grandson Jean-Pierre Destelle and translated into Greek by Emmanuela Tzedaki with a thorough commentary by Maria Sorou, and published by the Society of Cretan Historical Studies in 2018-2019, Destelle’s diaries document in great detail his administrative activities, as well as everyday life in East Crete just before the island was declared an autonomous state under the protection of the Great Powers. For me, after excavating and traveling in the regions of Siteia and Ierapetra for the past three decades, Destelle’s descriptions offered unique glimpses into Crete’s pre-industrial past. (The Destelle family maintains an excellent web page.)

Destelle’s diaries became my evening companion during my six weeks on Crete this summer, while participating in the Mochlos excavations.  I was digging a Hellenistic fort on the summit of Mochlos, trying to understand how it functioned and which city it served, and Destelle was describing the daily activities of an army camp in the same region more than a hundred years ago. I mined the pair of books for ethnographic information, especially communications, since transportation on Crete before the early 20th century was hardly any different from that of ancient times.   

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