The American School of Classical Studies at Athens (ASCSA or the School hereafter) has an interesting, albeit odd, art collection. It comprises mostly oils and watercolors, with a few three-dimensional exceptions, such as Paul Manship’s bronze Actaeon. The card inventory that George Huxley and Mary Lee Coulson created in the late 1980s was replaced by a database I developed in the 1990s, in order to record the whereabouts of the artworks which frequently moved from building to building without any notice.
While some of the objects were bequeathed to the ASCSA by former staff and members, most of the material lacks provenance. My first database was short on content, but the more I delved into the School’s institutional records and collections of personal papers, the more interesting information I discovered about the origin of some of the art pieces. In the case of Amory Gardner’s fine portrait by Anders Zorn, I found that it was a gift from the Groton School in 1938.
The sources of some of the modern paintings (e.g., those by Martyl Langsdorf or Tita Fasciotti) were puzzling at first because I could not connect them with any gifts. The advent of the internet, however, has solved many of these mysteries. Searches for artists’ names revealed that some of the modern paintings were connected with Saint Louis, suggesting that some may have come to the School together with the personal papers of archaeologist George Mylonas, who taught at the Washington University in Saint Louis for several decades. (See “The Spirit of Saint Louis Lives in Athens“.)
Inventorying purposes aside, my preoccupation with the School’s art collection did not stem from an art historical interest but instead from a need to contextualize it: for it seemed that each piece had a biography that continued past the death of its creator and owner(s). With patience, some luck, and a good amount of research in the School’s archives, I soon concluded that there was an interesting story to be told about many of these objects, a story that connected them with men and women once intimately bound up with the ASCSA. Read the rest of this entry »
This is a guest post by Robert L. Pounder
Robert L. Pounder, Emeritus Professor of Classics at Vassar College, here contributes a review of Barbara McManus’s posthumous book about Grace Harriet Macurdy, titled The Drunken Duchess of Vassar. Pounder, who has been conducting in-depth research on the social history of the American School of Classical Studies at Athens (ASCSA) in the 1920s-1930s, writes that Classics was “dominated by unaware, myopic, smug, unsympathetic men, men who viewed academic accomplishment by women with condescension and skepticism.” Women in academia, like Macurdy, were thought to be anomalies–a different species. Based on his work at the ASCSA Archives, Pounder has also published an essay, “The Blegens and the Hills: A Family Affair,” in Carl W. Blegen: Personal & Archaeological Narratives, ed. N. Vogeikoff-Brogan, J. L. Davis, and V. Florou, Atlanta 2015.
Born in 1866 in Robbinston, Maine, Grace Harriet Macurdy was the sixth of nine siblings whose parents had immigrated to the United States from the nearby Canadian province of New Brunswick just a year before her birth. Her father, Angus McCurdy (the spelling of the name was later changed to Macurdy because he did not want to be thought Irish) was a carpenter who barely eked out a living. After leaving his children in the care of their mother and paternal grandmother for long periods and thus improving his situation somewhat, he was able to move the family to Watertown, Massachusetts by 1870; there they grew. Watertown provided a better series of houses and slightly improved material circumstances for the Macurdy children. Moreover, they profited greatly from the guidance of their mother and grandmother, both of whom encouraged the children, including the girls, to read, write, and pursue their educations.
Posted by Jack L. Davis
Jack L. Davis, Carl W. Blegen Professor of Greek Archaeology at the University of Cincinnati and a former director of the American School of Classical Studies at Athens (2007-2012), here contributes an essay about the (forgotten) relief efforts of Priscilla Capps Hill through Near East Industries during the great refugee crisis that followed the Asia Minor catastrophe in 1922.
In the months that followed the Asia Minor catastrophe in September 1922 and the population exchange of 1923, more than a million Orthodox Christians were ultimately compelled to desert their birth rights in Anatolia. Their influx to Greece generated an unprecedented humanitarian crisis. American expatriates in Greece took immediate action. Darrell O. Hibbard of the YMCA and Jefferson Caffery, Chargé d’Affaires of the U.S. Mission, created the Athens American Relief Committee, which notified Red Cross missions in Europe and America about the crisis and organized the first relief efforts. Bert H. Hill, Director of the American School of Classical Studies at Athens (ASCSA or the School hereafter), was appointed Chairman of the Relief Committee, in which role he was expected to coordinate communication with the Greek government. Harry Hill (no relation to Bert), an Englishman, head of the American Express Company in Athens, was charged with purchases and banking. Hundreds of thousands of dollars were collected by the time the Committee was disbanded on November 24, 1922, when the American Red Cross arrived in Greece to provide humanitarian aid together with Near East Relief, the latter focusing largely on Turkey. Its work had been invaluable. (See also E. Daleziou, ” ‘Adjuster and Negotiator’: Bert Hodge Hill and the Greek Refugee Crisis, 1918-1928,” Hesperia 82, 2013, pp. 49-65.)
The ASCSA’s involvement did not stop there. In the years to come “the School continued to be a hub for Americans offering their services to a variety of refugee relief efforts such as the ARC, the American Women’s Hospital Organization, Near East Relief, the YMCA, and the Athens American Relief Committee” (Daleziou 2013, p. 58). In addition to relief work, Edward Capps, the Chair of the School’s Managing Committee and a professor of Classics at Princeton University, was asked by Greece’s former prime-minister Eleftherios Venizelos to raise awareness in America of what was happening in Greece. Without wasting time, Capps, who knew Venizelos personally from his days as U.S. Minister to Greece (1920-1921), founded The American Friends of Greece (AFG), the broader mission of which was “to promote friendly relations between Greece and the U.S.” (The AFG later published booklets in support of Greece during World War II and a monthly newsletter, “The Philhellene,” which circulated from 1942-1950.)
Incorporation of the AFG on October 15, 1923 marked the start of Priscilla Capps’s involvement in refugee affairs, a much less well-known story than her father’s. Priscilla Capps (1900-1985), a graduate of Smith College, had assisted her father in Athens during his service as Minister, while she was a student at the ASCSA, as a kind of “first daughter.”
On February 17, 1901, a young American archaeologist and member of the American School of Classical Studies at Athens (ASCSA or the School hereafter) was “roaming over the city in search of Mr. Kavvadias, the general ephor of antiquities in Athens, in order to get a permit to begin work at Vari tomorrow” (letter of Charles H. Weller to his wife). Together with a small group of students from the School, he had conceived of the idea of conducting a small excavation at the Vari Cave on the southern spur of Mount Hymettus, near the ancient deme of Anargyrous. Known since the 18th century, the cave had been visited and described by several European travelers who were particularly taken by the reliefs and inscriptions carved on its walls.
“Maybe I asked you before, but will you save all my letters, dear, for I may want to use some of the material in them” Zillah Pierce Dinsmoor (1886-1960) reminded her mother a month after her arrival in Greece (Oct. 20, 1910). And because Emma Pierce respected her daughter’s wish, a valuable collection of private correspondence describing the daily life of a young American bride in Athens in the early 20th century has been preserved in the Archives of the American School of Classical Studies at Athens (ASCSA).
This is the second time From the Archivist’s Notebook features an essay about Zillah Dinsmoor. In February 2014, guest author Jacquelyn Clemens published an account of Zillah’s Greek experience, mining information from her letters. “Students and scholars who study at the American School… have often been accompanied by their spouses, significant others, and children who live with them here in Athens. In the early 20th century, Zillah Pierce Dinsmoor was one of these women who traveled to Athens along with her husband, architect William Bell Dinsmoor” wrote Clemens in her introductory paragraph. (Read J. Clemens,”Letters from a New Home. Early 20th Century Athens Through the Eyes of Zillah Dinsmoor“) Barely 24 years old (and away from home for the first time), this fashionable young woman from Massachussets wrote long letters once a week to her mother about her new life in Athens. Read the rest of this entry »
On Saturday December 27, 1902, a well-publicized wedding took place in London. John Gennadius, former ambassador of Greece to England and a great book-collector, age 58, and Florence Laing, the youngest daughter of Samuel Laing and the widow of painter Edward Sherard Kennedy, age 47, were married in a double ceremony, first at the Greek Orthodox church of St. Sophia and later that day at the Anglican church of St. Peter’s at Cranley Gardens. There are no photos capturing the ceremony or the reception that followed, but Gennadius, the creator of more than seventy scrapbooks, did keep numerous newspaper clippings announcing this celebrated marriage. More than a few of them mention that the bride had an annual income of roughly 8,000 pounds, leading some to hint that it may have been a marriage of convenience. Time proved that their union was a harmonious one; it lasted 30 years until his death in 1932. She outlived him by another twenty years. The Gennadius Library of the American School of Classical Studies at Athens (ASCSA or the School hereafter) was the offspring of their union. The deed of gift was signed in 1922 and the building was completed in 1926.
The best source for John Gennadius’s life is a small, but thorough, booklet, Joannes Gennadios, the Man: A Biographical Sketch (1990), by Donald M. Nicol, director of the Gennadius Library (1989-1992). In it, there is very little information about the circumstances of how Gennadius met Florence Laing Kennedy. Nicol suspects that they were introduced by “Prince Alexis Dolgoruki, an acquaintance of Gennadios, [who] had married an English lady, Miss Fleetwood Wilson, who was an old friend of Florence.” In an endnote, Nicol mentions that Florence was an artist in her own right, having exhibited her “genre paintings” in the Royal Academy and other London galleries between 1880 and 1893. Read the rest of this entry »
Communism In and Out of Fashion: The American School of Classical Studies at Athens and the Cold WarPosted: September 1, 2016
Posted by Jack L. Davis
Jack L. Davis, Carl W. Blegen Professor of Greek Archaeology at the University of Cincinnati and a former director of the American School of Classical Studies at Athens (2007-2012), here contributes an essay about attitudes of the ASCSA and its members toward Communists and Communism in the 20th century.
“Feeling they were witnessing the demise of capitalism, many writers moved left, some because their working class origins helped them identify with the dispossessed, others because they saw socialism or Communism as the only serious force for radical change, still others because it was the fashionable thing to do; they went where the action was.”
Morris Dickstein, Dancing in the Dark (2009), pp. 16-17.
In 1974, when I first arrived at the American School of Classical Studies at Athens (ASCSA or the School hereafter), we youngsters were told that we should not express our political views in public. The ASCSA’s institutional mission might be hurt, were it perceived not to be neutral. In September 1974 that was certainly a reasonable position for the ASCSA to assume. Yet I was curious. In 1974, I was myself radicalized, and had definitely headed left. I could not condone U.S. policy in respect to the Junta, or the suppression of the Left in Greece. Could I say nothing? Had the ASCSA always maintained a position of strict neutrality? Or were its postures more convenient than sincere? Read the rest of this entry »