From February 28 to May 13, 2013, the Isabella Stewart Gardner Museum in Boston hosted a large exhibit titled Anders Zorn: A European Artist Seduces America. The show re-evaluated the famous Swedish painter’s impact in the 1900s on America, where he was once held in high regard before being largely forgotten. The exhibit featured several international loans and was complemented by a series of lectures that experts on Zorn and his period presented.
Why am I writing about a retrospective on the activities of a Swedish painter in Boston? Because the American School of Classical Studies at Athens owns a portrait painted by Zorn—an image of William Amory Gardner (also known as WAG), the nephew of Zorn’s most important American patron and friend, Isabella Gardner. A balding WAG poses in three-quarter view while seated; he wears a black suit with an impressive red rose pinned on his left lapel. WAG himself never liked the portrait. Read the rest of this entry »