Communism In and Out of Fashion: The American School of Classical Studies at Athens and the Cold WarPosted: September 1, 2016
Posted by Jack L. Davis
Jack L. Davis, Carl W. Blegen Professor of Greek Archaeology at the University of Cincinnati and a former director of the American School of Classical Studies at Athens (2007-2012), here contributes an essay about attitudes of the ASCSA and its members toward Communists and Communism in the 20th century.
“Feeling they were witnessing the demise of capitalism, many writers moved left, some because their working class origins helped them identify with the dispossessed, others because they saw socialism or Communism as the only serious force for radical change, still others because it was the fashionable thing to do; they went where the action was.”
Morris Dickstein, Dancing in the Dark (2009), pp. 16-17.
In 1974, when I first arrived at the American School of Classical Studies at Athens (ASCSA or the School hereafter), we youngsters were told that we should not express our political views in public. The ASCSA’s institutional mission might be hurt, were it perceived not to be neutral. In September 1974 that was certainly a reasonable position for the ASCSA to assume. Yet I was curious. In 1974, I was myself radicalized, and had definitely headed left. I could not condone U.S. policy in respect to the Junta, or the suppression of the Left in Greece. Could I say nothing? Had the ASCSA always maintained a position of strict neutrality? Or were its postures more convenient than sincere? Read the rest of this entry »
Posted by Lizabeth Ward Papageorgiou
Lizabeth Ward Papageorgiou here contributes to the Archivist’s Notebook an essay about Nancy Mitford’s visit to the Athenian Agora during the re-construction of the Stoa of Attalos in 1955. Unhappy with the building, Mitford, one of the famous Mitford sisters, wrote acidic comments about it in the press as well as to the Director of the Agora Excavations, Homer A. Thompson. Lizabeth (Liz), who studied Art History at the Institute of Fine Arts in New York University, found Mitford’s letters when she catalogued Thompson’s vast correspondence for the Archives of the American School of Classical Studies at Athens a few years ago. Her extensive catalogue of Homer Thompson’s papers is available at: http://www.ascsa.edu.gr/index.php/archives/thompson-finding-aid/
Over a decade ago, I archived the papers of Homer A. Thompson. Two of his letters are the subject of this article.
It [Athens] is probably the ugliest capital in Europe . . . [with] formless conglomerations of modern buildings overlooked by an immortal monument . . . . The traffic is noisier, wilder, and more evidently intent on homicide than that of Paris, and consists entirely of enormous pastel-colored American motor-cars.
Nancy Mitford, “Wicked Thoughts in Greece”, The Sunday Times, 24 July 1955.
Nancy Mitford (1904–1973), acclaimed author of comedies of English upper class manners (The Pursuit of Love), biographies (Madame de Pompadour), essays and reviews, was the eldest of six intelligent, beautiful and sometimes scandalous daughters of Lord and Lady Redesdale (Ben Macintyre described the sisters as Diana the Fascist, Jessica the Communist, Unity the Hitler-lover; Nancy the Novelist; Deborah the Duchess and Pamela the unobtrusive poultry connoisseur).1 In the summer of 1955, she traveled in Greece. She spent time with Patrick Leigh Fermor, who was living in Nikos Ghikas’s house on Hydra; went to Tatoi, the summer residence of King Paul; and visited friends in Spetses, Crete and the Peloponnese.2
When she was in Athens, she stayed at the Grand Bretagne and visited the ancient sites. One day she went to the Ancient Agora, but since the reconstruction of the Stoa of Attalos was not finished—it was covered with scaffolding and only the lower storey and colonnades had been reconstructed—Mitford must have needed permission to visit the site and one of the Agora staff to guide her. Homer A. Thompson, director of the Agora excavations from 1945 to 1967 and deeply involved with all aspects of the reconstruction of the Stoa, often mentioned visitors to the Agora in his letters to his wife, Dorothy Burr Thompson; but he made no mention of a visit by Nancy Mitford. Possibly Judith Perlzweig or C. W. J. Eliot, who bore the brunt of conducting visitors through the excavations and museum, served as her guide.3
Shortly after Mitford returned to her home in Paris, she wrote an article about her trip to Greece for The Sunday Times. Published on 24 July 1955, the title, “Wicked Thoughts in Greece”, gave readers a heads up that this was going to be another of her scathing attacks. Opening with the declaration that Athens is probably the ugliest capital in Europe, full of homicidal drivers and enormous pastel-colored American motor-cars, she continued to deplore the hideous newness of Athens, which from the air is a desert of khaki-coloured cement. But she did find an oasis in Plaka, where she delighted in the classical monuments, churches and old houses, until . . .
Alas! After ten minutes of happy wandering the dream is shattered and the dreadful wasteland of the Agora appears. Here the American School of Classical Studies seems to have torn down whole streets in order to search for a few pots. Here the Americans are building, in a ghastly graveyard marble, the Stoa, said to be ‘of Attalos’, but really of Mr. Homer A. Thompson. And here a gracious garden will be planted, complete, no doubt, with floral clock.
A few pages later, describing her visit to Knossos, she again attacked the reconstruction of the Stoa of Attalos:
. . . Knossos, a fraudulent reconstruction like the Stoa, English this time, alas, and built in an art nouveau style reminiscent of Paris metro stations. It is evident that Anglo-Saxons should be kept away from Mediterranean sites . . . . Knossos, however, matters less than the Stoa, because it is out in the country and does not spoil anything else. The Stoa in all its vileness hits the eye from the Acropolis and the Temple of Hephaestus. It is as though the French had allowed Frank Lloyd Wright to build his idea of a Petit Trianon at the bottom of the tapis vert at Versailles. Read the rest of this entry »