“Who Doesn’t Belong Anywhere, Has a Chance Everywhere”: The Formative Years of Emilie Haspels in Greece.Posted: November 1, 2020
BY FILIZ SONGU
Filiz Songu studied archaeology in Izmir and Ankara. As an independent scholar, she works for the Allard Pierson in Amsterdam and is a staff member of the Plakari Archaeological Project in Southern Euboia. She just completed her biographical research into the life and work of Dutch archaeologist Emilie Haspels. In her contribution to From the Archivist’s Notebook, she discusses Haspels’s early formative years in pre-WW II Greece, and the challenges she and other women archaeologists of her time met in a male-dominated field. Since Haspels worked with many foreign archaeological schools in Greece, Songu’s essay is literally a “Who’s Who” of foreign archaeology in interwar Greece.
Caroline Henriëtte Emilie Haspels (1894–1980) was a prominent classical archaeologist in the Netherlands in the decades after WW II. She was the first female professor of Archaeology at the University of Amsterdam and the first female director of the Allard Pierson Museum. Most scholars know her from her study The Highlands of Phrygia. Sites and Monuments (1971), which is still a reference work on the rock-cut monuments in the Phrygian Highlands in central Turkey. For another group of academicians, Emilie Haspels is known for her other classic publication, Attic Black-Figured Lekythoi (1936).
One may wonder what the connection is between these two widely differing fields of specialization. When I started my biographical research into the life and work of Emilie Haspels, my original focus was on her pioneering fieldwork in Turkey. However, when I dug deeper into her personal documents, I discovered more about other significant periods of her life. Her archive provided glimpses of, for instance, her time in Shanghai in 1925–26, and her enforced stay in Istanbul during WW II. It shows how the twists and turns of history affected both her private and her academic life. Key to understanding her archaeological carrier is what I like to call her “Greek period.” The years she spent in Greece in the 1930s doing her PhD research appear to be her formative years as an archaeologist. With the field experience and special skills she acquired in Greece, she paved the way, perhaps unconsciously, to the Phrygian Highlands, which became her life’s work. It was also during her Greek period that she started to build up a wide international network. Haspels’s personal documents and correspondence in various Dutch archives provide complementary information about the scholarly community in pre-WW II Athens and connect with the writings in Natalia Vogeikoff-Brogan’s blog.
Becoming an Archaeologist
Haspels’s Greek period started in the spring of 1929 with her arrival in Athens as a foreign member of the French School. A little about her academic background may be useful here. Haspels had studied Classics at the University of Amsterdam between 1912 and 1923. She minored in Ancient History and Classical Archaeology, attending Jan Six’s classes.Read the rest of this entry »
Founded in 1881, the American School of Classical Studies at Athens (hereafter ASCSA or the School) was the third foreign archaeological school to be established in Greece and followed the French and German models. For the first thirty years, the activities of the American School were closely intertwined with those of the German Archaeological Institute at Athens (DAI or German Institute hereafter) and the Austrian Archaeological Institute of Athens (Austrian Institute or Station hereafter).
Eloquent testimony to their informal relationship is found in the ASCSA Annual Reports (AR) from 1887 onwards, where the directors of the American School repeatedly extended their profound gratitude to Wilhelm Dӧrpfeld, Director of the German Institute (1887-1912), Paul Wolters, Second Secretary of the German Institute (1887-1900), and Adolf Wilhelm, Secretary of the Austrian Institute (1898-1905), for allowing American students to attend their weekly seminars and archaeological excursions. Only occasionally, would the ASCSA similarly express its gratitude to a French or British colleague. In fact, the ASCSA relied so heavily on the German Institute that it delayed developing an independent academic program of its own until Dӧrpfeld stopped offering his lectures and tours in 1908.
In order to reconstruct the early decades of the School’s history and its relationship to the German Institute, in addition to the Annual Reports, I have also relied on a second type of primary source: personal correspondence and diaries. Both are rare, however. Unlike official documents that have a greater chance of survival (sometimes in more than one copy) the preservation of family correspondence is a matter of luck. Of the 200 men and women who attended the School’s academic program from 1881 to 1918, the outgoing letters of fewer than a dozen members have survived, and of those only the letters of few have found their way back to the School’s Archives.
By nature, each type of source provides the researcher with different kinds of information, even if both sources refer to the same people or events. Official reports are formal and, to a certain extent, sanitized documents that deliver the governing body’s mindset. I, personally, find private correspondence a more insightful source, although it can be subjective and overstated; nevertheless, it is the best thing that a historian has at his/her disposal for reconstructing the past because its testimonies offer contemporary perspectives. At a time when cell phones, text messages, and social media were not available, a letter was the only way for reporting one’s activities and also for expressing one’s feelings. Glimpses, for example, at the private correspondence of Nellie M. Reed, student of the School in 1895-1896, reveal a continuous stream of informal American-German gatherings during that year, otherwise undocumented in the Annual Reports.
In 2016, I was invited to participate in a conference that explored the early history of the German Archaeological Institute at Athens. I used that event as an opportunity to study and re-write the “German chapter” in the history of the American School. The narrative explores the catalysts that brought these two groups together and asks: Was it simply the vibrant and charismatic personality of Dӧrpfeld, who for three decades dominated the archaeological community of Athens, that was responsible for the rapprochement of the two institutions in the closing decades of the 19th century, or did the School’s close ties with the German and Austrian institutes reflect a larger educational trend that prevailed in American academic circles in the second half of the 19th century?
On the morning of May 14, 1923, a private yacht approached the island of Santorini and cast anchor just outside the bay of Phira. The Zion carried twenty-five passengers and belonged to an American millionaire and philanthropist, George D. Pratt. Pratt, a recent widower, had come to Greece a few weeks earlier, and the cruise would allow him “to go about the islands taking photographs” as one of the Zion passengers –or so Natalie Murray Gifford wrote in her own account of the trip. There was, however, another, more practical, motivation that lay behind Zion’s Aegean course. At the end of the cruise, the yacht would sail to Mount Athos to deliver food and supplies to starving Bulgarian and Russian monks, who had lost vital support from home as a consequence of the Russian Revolution. Thomas Whittemore, one of Zion’s passengers, was monitoring this relief effort.
Pratt’s guests on board the Zion were archaeologists or classicists affiliated with the American School of Classical Studies at Athens (ASCSA) or with the American Academy in Rome (AAR). All were advanced students and scholars, making the trip entirely unlike the contemporary commercial cruises to the renowned harbors of the Mediterranean that had become increasingly popular in the first decades of the 20th century. Evelyn Waugh describes such a trip aboard the Stella Polaris in Labels (1930), as well as how pleasure cruising had evolved by his time. “Before that only the very rich, who owned their own yachts, could afford this leisurely pottering from port to port,” and this is exactly what George Pratt’s Zion was tasked to do; to offer an exclusive, old-fashion cruise to the members of the School at Athens and the five “Romans” who had come from the Academy in Rome. Waugh also drew a colorful distinction between travelers and tourists, and Pratt’s guests were clearly members of the former club. Read the rest of this entry »