Do I Really Want to Be an Archaeologist?
Posted: July 7, 2024 Filed under: Archaeology, Archival Research, Biography, Book Reviews, History of Archaeology, Mediterranean Studies, Modern Greek History, Philhellenism, Uncategorized, Women's Studies | Tags: American School of Classical Studies at Athens, Archaeology, Athens, College Year in Athens, Eugene Vanderpool, Franchthi Cave, greece, History, Karen D. Vitelli, Porto Cheli Project, travel 13 CommentsThe first time I heard her name was in 1986 at Tsoungiza, Nemea. I had just been awarded a Fulbright fellowship to go to Bryn Mawr College for graduate school. James (Jim) C. Wright, one of the cο-directors of the Nemea Valley Project and a Fulbright fellow himself extended an invitation to me, Alexandra (Ada) Kalogirou and Maria Georgopoulou, the other two Greek Fulbrighters, to join the excavation, as a way of becoming familiar with the American way of life and education system. Ada was going to go to Indiana University to study Greek prehistory with Thomas W. Jacobsen (1935-2017) and Karen D. Vitelli (1944-2023).
I must have heard about Vitelli on and off over the next 10-15 years, but I never met her in person. I didn’t even know what she looked like. Then, in 2010, as I was preparing an exhibition to celebrate the 130th anniversary of the American School of Classical Studies at Athens (the School, hereafter), I sent an email to various people asking for photos from the time they were students at the School. Stephen (Steve) G. Miller, former director of the School and a student at the School in the late 1960’s, sent me a few. One of the photos showed a tall, slim, dark-haired woman, who made an indelible impression on me. Several years later (2013), Kaddee (as she was known to nearly everyone) appeared at Mochlos together with her friend, archaeologist Catherine Perlès, at a wedding party for Tristan (Stringy) Carter, as guests of Tom Strasser, her former student. (By then Vitelli was Professor Emerita of Archaeology and Anthropology from Indiana University, Bloomington.) That was the first and last time I saw her in person.
Recalling a Museum Theft
Posted: April 21, 2022 Filed under: Archaeology, Archival Research, Art History, Classics, History of Archaeology, Mediterranean Studies, Philhellenism | Tags: Athenian Agora Excavations, Charles H. Morgan, Christine Alexander, Eugene Vanderpool, Homer A. Thompson, Γιάννης Μηλιάδης, John L. Caskey, John Meliades 4 Comments“Sadly, the best candidate for him, the beautifully carved [head] 3, facing right, was stolen from the Agora’s dig house in 1955, while the Stoa of Attalos was under construction.” This sentence caught my attention while reading “Classical Sculpture from the Athenian Agora, Part 2: The Friezes of the Temple of Ares (Temple of Athena Pallenis),” published in Hesperia 88 (2019) by Andrew Stewart and seven co-authors (E. Driscoll, S. Estrin, N. J. Gleason, E. Lawrence, R. Levitan, S. Lloyd-Knauf, and K. Turbeville). Further below in the catalog entry for the head, the exact date of the theft is also mentioned: August 22, 1955.
Stewart et al. refer to a fragmentary male head of high craftsmanship that was found in the Athenian Agora near the northeast corner of the Temple of Ares in 1933. Carved around 430-425 B.C. and identified as Hermes, the small head (H.: 0.147m) is one of forty-nine half-size marble fragments which once decorated the friezes of the Temple of Ares in the Agora (originally the Temple of Athena Pallenis at Pallene). A plan of the Agora with the findspots of the sculptures is included in the Hesperia article, and is also available at https://ascsa.net.
Thefts occur in even the best guarded museums and libraries. Every institution has its own story (or stories) to share or hide. And at least some thefts are committed by those who have “hands-on” access to the collections. A recent example was the return of two valuable journals of Charles Darwin, which were stolen two decades ago from the library of Cambridge University. Others remain lost–the paintings stolen from the Isabella Gardner Museum in Boston in 1990, or the Telephus head, an original by Skopas, removed from the Tegea Museum in 1992.
But back to the little head of Hermes that was inventoried as S 305. I was curious to discover more about its theft. A search in the Archives of the American School of Classical Studies at Athens (ASCSA or the School hereafter) yielded considerable information about the event and its aftermath.
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From the Archivist's Notebook 