To Live Alone and Like It: Women and the American School of Classical Studies at Athens Between the Wars.

“But it is not education only that is needed. It is that women should have liberty of experience… to idle and loiter, the mental space to let your mind wonder,” wrote Virginia Woolf in A Room of One’s Own in 1929. The work was based on lectures she delivered in October 1928 at Newnham College and Girton College in Cambridge (both for women). She further advised her female audience “to drink wine and have a room of their own.” I will not dwell on the issue of wine because women of all classes had access to alcohol, at least privately, but for a woman to have a room of her own was highly unusual before WW II, especially for women who had not inherited wealth. Woolf would be eternally grateful to her aunt for leaving her a lifelong annual stipend of 500 pounds.

That a woman could live alone by her own choice was almost unheard of. Young women who moved to the big cities in search of work were usually sharing apartments with others of the same sex, for a few years at most, until they got married. However, WW I upset traditional demographics by creating a population imbalance in the western world: more women than men. To put it bluntly, for these extra women it meant that the prospect of marriage was less attainable (Scutts 2017). If Virginia Woolf (1882-1941) was fighting her own battles in ultra conservative England, Marjorie Hillis (1889-1971), an American writer and contemporary of Woolf, was sufficiently daring to publish in 1936 a book that encouraged single women to take control of their lives and Live Alone and Like it. “A Lady and Her Liquor,” “Pleasures of a Single Bed,” and “Solitary Refinement?” were some of the chapter titles. Her book became an immediate best-seller and remained popular for many years.

I must admit that I had not read Woolf’s A Room of One’s Own until very recently although I had seen references to it many times before. I was not aware of Hillis’ book until I began to study the impact of Woolf’s essays. It is also not clear whether Hillis knew of Woolf’s work, but that’s not really the point. What I want to draw attention to is the fact that many women in the 1920’s and 1930’s on both continents were thinking in a similar manner: Woolf conveying her thoughts within a theoretical framework and Hillis offering useful, practical advice. I began researching this subject after a spring trip to Princeton where I went for business, but, while there, I decided to combine business with pleasure. And what is pleasure for an archivist? Instead of facilitating other people’s research, during lunch breaks I conducted my own study of the Special Collections of the Firestone Library. (Their new Reading Room is fantastic!) For lack of time I decided to focus on Alison Frantz’s early letters from abroad to her mother Mary Kate.

Mary Alison Frantz (1903-1995) was a graduate of Smith College with a PhD from Columbia University. She is remembered today for her scholarly contributions to the study of Byzantine Art and for her archaeological photography. Following WW II she served as the Cultural Attaché of the U.S. Embassy in Athens and was the first Executive Director of the newly established Fulbright Foundation in Greece (1946-1949). (For her work at the Fulbright Foundation, as “a woman of power,” see Lalaki 2018.) I was fortunate to meet Frantz in person in the early 1990s, when she came to the American School of Classical Studies at Athens (ASCSA or the School hereafter) for a lecture in her honor and stayed at the Annex of Loring Hall, where I was living as a graduate student. I will never forget how elegant and distinguished she looked in her long black dress and her pearl necklace (she was 90 at the time).

Alison Frantz, Lucy Talcott, Rodney Young, and Constance Curry, ca. 1935. ASCSA Archives, Richard H. Howland Papers.

In a few days at Princeton I managed to read the letters she sent during her first visit to Greece in 1925, in a second brief visit in 1927, and in the course of an extended stay in 1929-1930 when she spent a year working as a librarian at the American School. Her first visit was rather short and part of an educational trip that the Director of the American Academy of Rome, Gorham P. Stevens, and his Greek wife, Annette Notaras, had organized. She experienced Greece as an informed tourist who was herded around with the other members of her group. Although I will refer to her earliest impressions of Greece, I am more interested in the accounts of her third and defining time in Greece. All the letters I will be quoting from are part of her personal papers in the Department of Rare Books and Special Collections at Princeton University.

“Rome is far superior to Athens, except for the Acropolis” (1925)

In 1925 Alison stayed in Greece slightly more than a month, visiting Central Greece and the Peloponnese with the rest of the AAR group. Traveling outside Athens remained difficult, almost primitive, with dirt roads, mules, and a noticeable lack of clean hotels and restaurants. To get to Delphi they sailed from Piraeus to Itea, and from there they climbed up for three hours to reach the ancient site. “Everything is done by mules and we have seen only two automobiles since we have been here,” she wrote to her mother from the Pythian Apollo Hotel.  At St. Luke’s Monastery “there were seventeen of us and there seemed to be only about four beds…”. One of the monks “went out into the field and got a kid, and killed and cooked it,” while another one “sat in the garden and ground the coffee in a fascinating brass grinder” (April 4, 1925). At Tripolis, the proprietor of a greasy restaurant “came out with a leg of a mutton in his hand and slapped and stroked it and said we could have it” (April 20, 1925). The entire time she was in Greece she was longing for the Roman fountains “and the feeling of an indefinite water supply, because here there is practically none. It runs twice a week and we have to drink boiled or bottled water” (May 4, 1925). Athens would solve its water problem a few years later with the completion of the construction of the Marathon Dam in 1929.

It only takes a quick glance at her letters to gather that the 22 year-old Alison did not enjoy her first time in Greece. “Rome is far superior to Athens, except for the Acropolis,” she declared to her mother after returning to Rome (May 15, 1925). Her comment is in marked contrast with the one made a few years earlier by A. Winsor Weld (1869-1956), one of the deputy commissioners of the American Red Cross Commission to Greece in 1918, who claimed that Athens was “in every way a much more attractive city than Rome.” (See an earlier post from 2015, titled “Athens 1918: “In Every Way A Much More Attractive City than Rome.”) Aside from personal tastes, there was a defining event in the history of the city –between Weld’s experience in 1918 and that of Frantz in 1925– one that affected Athens’ character for ever: the influx of hundreds of thousands of Greek refugees after the Asia Minor Catastrophe in 1922, followed by the population exchange of 1923. It would take the city years to recover from the shock and to absorb the new population by expanding her radius. No wonder that there was a shortage of water in 1925.

Athens to Trikala: Fifteen Hours by Train (1927)

Alison would be back in Athens briefly in the fall of 1927. This time she found another, slightly older, graduate of Smith College, Priscilla Capps (1900-1985), the daughter of Edward Capps, the Chairman of the School’s Managing Committee. Alison went to visit Priscilla “at her headquarters,” that is, the Near East Industries that Priscilla was managing near Constitution Square. “You know she is in charge of the workrooms of the American Friends of Greece. They have the most fascinating things there—embroidery of all kinds. They get characteristic designs from various parts of Greece and the islands, and the women work and sell them here—they handle two thousand dollars’ worth a month,” Alison reported to her mother, a native of Princeton, who must have known the members of the Capps family who lived there.

Near East Industries pouch with Rhodian design. ASCSA Archives, Jack L. Davis Collection.

This time Alison travelled to Meteora. “We were on the train fifteen hours and got to Trikkala about nine where we spent the night in a rather unfortunate hotel.” But Meteora was worth the trouble because “this is the most amazing place I have even seen. Perfectly smooth sheer rocks rise two and three hundred feet away from the ground and on the top are perched these monasteries… The view over the Thessalian mountains was superb with the Pindos range in the distance, and, literally, dozens of eagles soared over our heads all the time” (September 23 [1927]).

From 1927 to 1929 Alison would join the staff of the Index of Christian Art at Princeton University, a program founded in 1917 by Charles Rufus Morey (1877-1955), chair of the Department of Art and Archaeology at Princeton, who aimed to make Princeton the center for the study of Early Christian, Byzantine, and Early Medieval Art. He also wanted to train a new generation of American scholars in these fields. One of them was Alison Frantz, who would earn her doctorate on Byzantine ornament from Columbia University, under his supervision, since Princeton remained an all-male school.

To Greece for a Third Time (1929)

In early September 1929 Alison returned to Athens not for a visit but to work in the library of the American School. Her good friend Priscilla had reserved a room for her at the Miramare Palace in Old Phaleron. “It is right on the bay with a marvelous view of the islands on one side and Hymettus on the other… There is a big sea-airport here, and as I arrived a British plane from England bound for Constantinople and India took off from the harbor.’ Alison is referring to an air harbor which had operated at Old Phaleron since 1926. On the web I found that an Italian company, Aero Espresso, was running a line: Brindisi – Old Phaleron – Syros – Constantinople, and that the trip lasted nine hours. The author of the essay, Cliton Samatiadis, also discovered in an old Eleftheroudakis guide that, because of the air harbor, Phaleron, Kalamaki, and Nea Smyrni were popular neighborhoods among refugees from Constantinople (“H εγκατάσταση Κωνσταντινουπολιτών και η γραμμή υδροπλάνων Παλαιό Φάληρο-Κωνσταντινούπολη,” 24/12/2017). Interestingly enough, lately there have been efforts to reintroduce hydroplanes to Greece; in fact, Minister Adonis Georgiadis just announced that “Του χρόνου τέτοια εποχή θα πετάμε με υδροπλάνα.”  As they say, believe it when you see it!

The arrival of a hydroplane at Old Phaleron, ca. 1930.

Back to Alison and her Phaleron days, which can only be described as joyful. Often joined by Priscilla, she went swimming at the Golf Club (yes, there was a golf club in Athens since the 1900s; I have written about it in “Athens at the Turn of the Century: A Sentimental Capital and a Resort for Scholars“): “the golf course, which is on sand was very wet from a recent rain.” (Sept. 10, 1929).  The two women also went riding: “Priscilla and I have been riding about twice a week and it’s perfectly lovely… We usually ride along the slopes of Hymettus, and every now and then look up and see the Acropolis…” (Sept. 17, 1929). On another occasion, she and Priscilla “had a marvelous ride. The horses were frisky and the air [was] delightful” (Oct. 9, 1929).

Alison Frantz writing to her mother from the Miramarare Hotel in Old Phaleron, Sept. 10, [1929]. Princeton University Library, Department of Rare Books and Special Collections, Alison Frantz Papers.

Alison went to Athens almost every day. It took her only fifteen minutes by bus to get to the center of the city: “it is a very pleasant ride, although the buses never start until they are quite full, so that you are always packed together like sardines or else don’t go at all” (Sept. 10, 1929). The construction of Loring Hall was nearing completion, with a due date of November 1st. Its completion was expected to solve the School’s accommodation problem, which had become more pressing after 1922 with the influx of the Asia Minor refugees. It is amusing to find that there was resistance among the members who were living in the main building (in the basement rooms of what is today the Director’s house) against moving to Loring Hall, despite it being state of the art, with hot running water and central heating. Alison and others preferred the old building because “all the rooms have fireplaces while none of the new ones do, and I would sacrifice a good deal for one…” she wrote to her mother (Sept. 22, 1929).

Living in Old Phaleron likely stretched her means because she was asking for a small loan from her mother until she received her first salary on Oct. 1st. “Yesterday morning Mr. Carpenter and I went over the library work and I think it’s going to be very interesting, chiefly ordering books and keeping track of them as they come in.” In another letter she gives a few more details about her daily tasks in the Library: “I also open the many book catalogues and advertisements to see if there is anything we ought to have. I also see to the binding of books…”.  Alison was essentially the School’s librarian for that year; yet, if one checks the Annual Report for 1929-1930, her name does not appear anywhere.

Of Rhys Carpenter, ASCSA Director (1927-1932) and Professor of Archaeology at Bryn Mawr College, she wrote admiringly: “Mr. Carpenter is a most extra-ordinary person. Besides being one of the foremost archaeologists they say he is a very good poet, painter, and musician, and speaks eight languages fluently” (Sept. 22, 1929). Two months later she would modify slightly her first impression. “The Carpenters I like very much although both are temperamental. His lectures at Olympia were marvelous, he really is extraordinarily brilliant” (Nov. 18, 1929).

Eleanor and Rhys Carpenter at the ASCSA garden, ca. 1930. British School at Athens, Archives, Winifred Lamb Personal Papers, LAM 3/1/13/25.

A Place of Their Own

The slightly older and well-to-do Priscilla Capps must have been a trend setter among a host of young American women who were living in the orbit of the American School. First, she was running her own business, managing the Near East Industries–embroidery workshops for refugee women; second, she was renting a place of her own. She conformed to both of Virginia Woolf’s tips for women who wanted to experience life on their own terms. “Priscilla has taken a little four room house near the School for the winter. She has a maid called Aphrodite… it is quite darling. She has a lot of nice things and has fixed it up in a very attractive way…” (Oct. 9, 1929). Inspired by Priscilla, Alison went out to buy “two adorable little Skyros chairs, very low with string seats, carved backs, and no arms…” Yet, to her mother Alison had to defend Priscilla’s decision to have a place of her own: “she prefers a place where she can keep house and have her possessions and dog about her…” (Oct. 22, 1929). Mary K. was asking why Priscilla had not opted for a room at Loring Hall.

I have been curious about the houses, especially the interiors, of the American archaeologists who decided to make Athens as their permanent home. A few years ago Vivian Florou studied various primary sources in order to ‘restore’ the interior of the Blegen/Hill household (Florou 2015).  Only one photograph of the interior of 9 Ploutarchou has survived, and, by good fortune, it’s the one that depicts the “Greek Room” with its Skyrian furniture.

The “Greek Room” at 9 Ploutarchou, 1930. ASCSA, Carl W. Blegen Papers.

I was not so lucky as to find photos from Priscilla’s apartment, but in the Special Collections of Bryn Mawr College, the archivist located in the Lucy Shoe Merritt Papers interior photos from another Athenian apartment. Lucy Shoe (1906-2003) was a graduate of Bryn Mawr and a student at the School in 1929-1930, who had saved photos of the apartment she and Dorothy Burr had shared in the early 1930s. Naturally, they had chosen one with a fireplace, in front of which they took their afternoon tea; and like the “Greek Room” of the Blegen house, they had placed two low, armless Skyrian chairs on either side of it. (About the American fascination with the island of Skyros, see an earlier essay, titled “Skyromania? American Archaeologists in 1930s Skyros.”)

Lucy Shoe and Dorothy Burr in their apartment on Kephissias 64, ca. 1934. Source: Bryn Mawr College, Special Collections, Lucy Shoe Merritt Papers; ASCSA Archives, Dorothy Burr Thompson Photographic Collection.

From Archaeology, Jan/Feb. 1995. One year before her death. Click to enlarge.

By 1929 Alison had completely changed her mind about Athens which she now considered “a much nicer city to live in than Paris because you can always get away from the city atmosphere and don’t feel so stuffy” (Oct. 31, 1929). Remember her earlier comment (from 1925) about “Rome being far more superior than Athens?” Athens was, and remains an acquired taste. It is often not love at first sight but once you become comfortable, you don’t abandon her easily. Although Carpenter asked Alison to come back to the School the following year, she declined because she wanted to go back to the U.S. to pursue her doctorate at Columbia University. “I think I’ll write my dissertation on Byzantine ornament in Greece instead of landscape painting… It would be very interesting to go to all the little Byzantine churches round about, and very little has been done on the subject” (Jan. 24, 1930). But she would return to Athens a few years later, after the completion of her doctorate degree, to join the staff, as a photographer of the newly opened excavations in the Athenian Agora, a position she kept until her retirement. Although her house in Princeton remained Alison’s main residence, she also maintained a place in Athens, which classicist and ASCSA trustee Rob Loomis sublet in the 1960s. [1] (John Camp, Director of the Agora Excavations, told me that Alison shared the place with Lucy Talcott and that it was located at the corner of Anapiron Polemou and the Lykabettus ring-road.)

“The M. Alison Frantz Fellowship, formerly known as the Gennadeion Fellowship in Post-Classical Studies, was named in honor of archaeologist, Byzantinist, and photographer M. Alison Frantz (1903-1995), a scholar of the post-classical Athenian Agora whose photographs of antiquities are widely used in books on Greek culture. Frantz donated a large part of her photographic collection to the American School, where is available for research.”

[1]. Soon after my story went online, Loomis emailed me a note which I reproduce with his permission: “In 1967/8, when I was a Regular Member at the School, I sublet Lucy’s and Alison’s apartment for the academic year.  As you say, it was located at the corner of Anapiron Polemou (#24 if I remember correctly) and the Peripheriako.  It was the top half of a two-family house, since torn down and replaced by an apartment block.  The owner lived with her maid on the ground floor.  I had the second floor, entered by an outside staircase bordered by a flower garden and some orange and lemon trees (maintained as a side-job by Giorgos, one of the School gardeners, who also provided firewood); the apartment also came with a maid from Ikaria (whose name I cannot now recall) and an aged laundress, Penelope, who always seemed to know when I was in residence, appearing at all hours without any advance notice to collect and deliver my laundry.  There was a small entrance hall with a fireplace, flanked by two of those little Skyros chairs.  On one side of the hall was a long living room, fully furnished with sofa, chairs, table, desk, radio, phonograph and an enormous collection of vinyl records (lots of Mozart).  On the other side a bathroom and two bedrooms, each with a balcony.  A back hall led to a small kitchen and a back porch from which circular metal stairs ascended to a flat roof of the same size as the entire apartment.  It had splendid views of Lykabettos, Hymettos, and even Aigina, although as I recall the Akropolis view was blocked by some buildings in between; in any event, it was the scene of some wonderful parties.  For all of this, I paid $100 per month!  As I recall, I heard about the apartment from John Camp and Emily Vermeule (who with her husband Cornelius had sublet it in a prior year), and I made all of the arrangements by mail with Lucy Talcott, whom I never met.  I may have met Alison Frantz in the summer of 1966, but I only got to know her after my year in her apartment.  In my time, there was no “Poussy” cat but Alison and Lucy may have brought their cat(s) back and forth from Princeton to Athens.  Alison gave much of the apartment furniture to John Camp, who now has it in Merrill House.”


Florou, V. 2015. “The House at 9 Ploutarchou Street: A Grape Arbor and a Dense Shadow of Beautiful Meanings,” in Carl W. Blegen: Personal and Archaeological Narratives, ed. N. Vogeikoff-Brogan, J. L.Davis, and V. Florou, Atlanta, pp. 121-146.

Lalaki, D. 2018. “The Cultural Cold War and the New Women of Power: Making a Case based on the Fulbright and Ford Foundations in Greece,” Histoire@Politique 35, pp. 1-20 [].

Scutts, J. 2017. The Extra Woman: How Marjorie Hillis Led a Generation of Women to Live Alone and Like It, New York.

To Know One’s Country as a Foreign Land

I have always found informal travel accounts fascinating. By informal, I mean accounts found in personal diaries or letters. Occasionally, they are published posthumously by the writer’s relatives (usually for family consumption) and attract little attention because of their mundane nature. Until recently, such letters and diaries of anonymous folk were avoided by historians who considered their content subjective or inaccurate. After all, why use the private diary of an American expatriate in Greece as a source, when the event (e.g., a local revolution) was described in more detail in the newspapers or other official reports?

I, on the other hand, pay particular attention to these types of publications because they provide valuable information, otherwise undocumented, about the level of local awareness, participation or aloofness within foreign communities. Gilbert K. Chesterton (1874-1936), an English writer and philosopher, once said that “the whole object of travel is not to set foot on foreign land: it is at last to set foot on one’s own country as a foreign land.” It’s the second part of Chesterton’s comment that makes me delve into the travel accounts of foreigners-mostly Americans in my case–who have experienced Greece as a foreign land. Here I am not interested in the tourist but instead the engaged traveler, the expatriate, or, in rare cases, the committed immigrant (that is the foreigner who has almost “gone native”).

My latest source of inspiration for getting “to know my country as a foreign land” is a privately published collection of letters which came to my attention after a visit to the newly established Archives of the American College of Greece. There, Dr. Demetra Papakonstantinou, an accomplished archaeologist who now serves as the College’s Archivist, graciously shared with me a copy of a book titled Odyssey of a Learning Teacher (Greece and the Near East 1924-1925). Published in 2005 by David L. Aronson, the book contains transcriptions of the letters that his mother, Charlotte Eleanor Ferguson, a graduate from Mount Holyoke College and a teacher at the American College for Girls (what is now Pierce College), sent to her family in 1924-25. (The original letters are now part of the American School of Greece Archives.)

Front cover photograph: Charlotte Ferguson and Helen Larrabee departing from New York.

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“They returned… but stay I did”: Doreen Canaday’s Experience of Interwar Greece

I first encountered the name “Canaday” in the mid-1980s when I went to Bryn Mawr College for graduate school. Although we did most of our work in the seminar rooms above the Art and Archaeology Library (now the Rhys Carpenter Library), for books and periodicals about history or classics we had to go to the “big library,” which was none other than the Mariam Coffin Canaday Library.

A few years later when I returned to Greece to participate in the regular program of the American School of Classical Studies at Athens (ASCSA, or the School hereafter), I heard people referring to Canaday House.  One of the two marble houses flanking the Gennadius Library at 61 Souidias, it housed temporarily the family of the then Director of the School William (Willy) D. E. Coulson. (The big earthquake of 1986 in Kalamata had caused damages to the Director’s residence across the street.)

An ink drawing of the Canaday House at the American School of Classical Studies at Athens. ASCSA Archives, Doreen Canaday Spitzer Photographic Collection.

Finally, in the summer of 1990, while digging at Mochlos on Crete, I met Doreen Spitzer on one of the “On-Site with The American School of Classical Studies at Athens” trips that she had been organizing for years, but without realizing that Doreen Spitzer’s maiden name was Canaday. It was only after I started working as the School’s Archivist that I became aware of Canaday Spitzer’s long legacy at the American School.  Doreen Canaday Spitzer (1914-2010) served as a Trustee 1978-1996, President of the Board of Trustees 1983-1988, Trustee Emerita from 1996 and President of the Friends from 1988 until her death in 2010.  (There is a thorough biographical essay about Doreen Spitzer by Catherine de Grazia Vanderpool in AKOUE 63, Fall 2010.) Her father, Ward Canaday (1885-1976), had also served as a Trustee of the School for almost four decades starting in 1937.

Doreen Canaday Spitzer listening to Manolis Andronikos, excavator of the royal tombs at Vergina, 1981. (Between them, barely visible, Machteld Mellink.) Source: ASCSA Archives.

Spitzer also cared deeply about preserving the School’s history and supported wholeheartedly the creation of an Archives Department during her term as President of the Board. Furthermore, she would contact School members, many of whom she knew personally from her time as a student of the School in 1936-1938, to solicit their personal papers.  No wonder why my formal title is the Doreen Canaday Spitzer Archivist. Needless to say that it would have pleased her immensely to see our new and enlarged facilities at the East Wing of the Gennadius Library. Read the rest of this entry »

Touring the Balkans with the Ladies of Ploutarchou 9

Posted by Jack L. Davis

Jack L. Davis, Carl W. Blegen Professor of Greek Archaeology at the University of Cincinnati and a former director of the American School of Classical Studies at Athens (2007-2012), here writes about women travelling alone through the western Balkans in the late 1930s, on the eve of WW II.

The second half of the 19th century saw the advent of mass tourism in the Mediterranean and Balkans. Despite a few blips (e.g., the Dilessi Murders in 1870 that resulted in the death of three Englishmen and an Italian at the hands of brigands; J. Gennadius, Notes on the Recent Murders by Brigands in Greece), travellers could be reasonably certain of their personal safety. Their passage was also facilitated by travel brokers and books of advice for tourists.  Thomas Cook tours began in Greece in 1868. The Baedeker guide for Greece was published in 1889 while and Murray’s Handbook for Travellers in Greece was already in its 7th edition by 1880.

Group and individual tourism became ever more common and secure.  American students in Greece experienced violence only on three occasions. In 1872 John Williams White, first chairman of the Managing Committee of the ASCSA, was the target of an attempted kidnapping. In 1886 University of Michigan student Walter Miller was commissioned a captain in the Greek army, so that he could hunt down his assailants. Only once did lawlessness end in death, in 1925 when John Logan was shot in Aitolia by attackers who fired on members of the American and British schools, in an apparent case of misidentification (, p. 179).

Since the late 19th century trips for the students of the ASCSA had been institutionalized, with a Peloponnese and an island trip led by Wilhelm Dörpfeld.  The Peloponnese trip was considered too rough for women, although the first woman member of the School (1885-86), Annie Smith Peck, travelled extensively there with friends. Several of the School’s female students would also hire Angelis Kosmopoulos (foreman for many excavations, including Olympia and Corinth) and his son George (later the husband of Alice Leslie Walker), as guides for their travels throughout Greece.

The more northern reaches of the Balkans began to attract tourists, including women travellers, a bit later than Greece, and there was an explosion of women travel writers there and elsewhere in the late Victorian period (

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Hetty Goldman: The Potentate of American Archaeology in Greece

In 1924, Hetty Goldman (1881-1972), who was directing an excavation at the site of Eutresis in Boeotia, hired architect Piet de Jong to draw some of the finds she had unearthed during the season.  To beat the dullness of the evenings, De Jong, who worked for American and British excavations in Greece, made pencil caricatures of his fellow archaeologists which he later turned into striking Art Deco watercolors. The majority of these caricatures once in the possession of Sinclair and Rachel Hood, are now in the care of the Ashmolean Museum. Published by Rachel in Faces of Archaeology in 1998, they constitute visual biographies of American and British archaeologists working in Greece in the 1920s and 1930s.

Hetty Goldman’s caricature by Piet de Jong, 1924. Image reproduced with kind permission of Ashmolean Museum, University of Oxford.

De Jong’s caricature of Goldman depicts her “holding a Neolithic pot of which she was particularly proud. The object behind Hetty’s head is a seated archaic statue found up in a Roman villa which was excavated at some distance from the mound [of Eutresis]… There is the mound itself surmounted by the shelter to protect the diggers from the heat of the sun… The horse, Kappa, on the road below the hill to the right draws the cart containing Hetty herself, Hazel [Hansen], Dorothy [Thompson] and Mitso the driver, on their way to work… a sailing boat or caique refers to the expedition organized by the foreman, George Deleas, to try and row across the Gulf of Corinth from Creusis, the harbor settlement of Eutresis.  On the left of the picture at the foot of the mound two village girls with long plaits carry on their heads baskets of washing… Below them is a temple which probably refers to classical architectural findings at Hetty’s previous dig at Halae…” (Hood 1998, p.51). Read the rest of this entry »

The Magnificent Mayer House: No Such a Thing as a Free Gift

Dedicated to Ludmila Schwarzenberg Bidwell

“Following a decision by the Board of Trustees at their November 1997 meeting, the U.S. base for School activities since 1974, was put on the market and sold in May for $5,850,000.” This story appeared in the summer issue of the 1998 ASCSA Newsletter (“Mayer House Sold,” no. 41, p. 4). By then, the U.S. base of the American School of Classical Studies at Athens (ASCSA or School hereafter) had already been transferred to Princeton. That fall I was invited by Catherine Vanderpool, the School’s Executive Director in the U.S., to visit Princeton for two reasons: to meet Homer A. Thompson who was contemplating the idea of leaving his personal papers to the School (which he did) and to examine a large number of boxes containing the administrative records transferred to Princeton after the sale of the Mayer House. Many of the records had been damaged by flooding that precipitated the sale of Mayer House.

Mayer House, entrance. Photo: Natalia Vogeikoff-Brogan, 2014.

Built in 1882, the four-story brownstone house was one of nine houses on East 72nd Street from no. 39 to 55. The family of Bernhard and Sophia Mayer had moved into the neighborhood in 1899 after purchasing a pair of brownstones in the row at no. 16 and no. 41. (I draw some of this information from the Daytonian in Manhattan, a blog about the architectural history of New York city.) Two family members were later active in New York’s intellectual and academic circles. Albert Meyer (1897-1981), an architect and city-planner, designed many apartment buildings in New York, as well as the master plan of Chandigarh, the new capital of the Indian Punjab. His older sister Clara (1895-1988) was an educator and associated with the New School for Social Research for more than thirty years. She served as Dean of its School of Philosophy and Liberal Arts (1943-1960), and from 1950 to 1962 also as Vice President of its Board. Read the rest of this entry »

The Grecian Landscapes of Anna Richards Brewster

Temple of Poseidon at Sounion by Anna Richards Brewster, 1912. Private Collection (?)

The American School of Classical Studies at Athens (ASCSA or the School hereafter) has an interesting, albeit odd, art collection. It comprises mostly oils and watercolors, with a few three-dimensional exceptions, such as Paul Manship’s bronze Actaeon. The card inventory that George Huxley and Mary Lee Coulson created in the late 1980s was replaced by a database I developed in the 1990s, in order to record the whereabouts of the artworks which frequently moved from building to building without any notice.

While some of the objects were bequeathed to the ASCSA by former staff and members, most of the material lacks provenance. My first database was short on content, but the more I delved into the School’s institutional records and collections of personal papers, the more interesting information I discovered about the origin of some of the art pieces. In the case of Amory Gardner’s fine portrait by Anders Zorn, I found that it was a gift from the Groton School in 1938.

The sources of some of the modern paintings (e.g., those by Martyl Langsdorf or Tita Fasciotti) were puzzling at first because I could not connect them with any gifts. The advent of the internet, however, has solved many of these mysteries.  Searches for artists’ names revealed that some of the modern paintings were connected with Saint Louis, suggesting that some may have come to the School together with the personal papers of archaeologist George Mylonas, who taught at the Washington University in Saint Louis for several decades. (See “The Spirit of Saint Louis Lives in Athens“.)

Inventorying purposes aside, my preoccupation with the School’s art collection did not stem from an art historical interest but instead from a need to contextualize it: for it seemed that each piece had a biography that continued past the death of its creator and owner(s). With patience, some luck, and a good amount of research in the School’s archives, I soon concluded that there was an interesting story to be told about many of these objects, a story that connected them with men and women once intimately bound up with the ASCSA. Read the rest of this entry »