Posted by Clayton Miles Lehmann
Clayton M. Lehmann, Professor of History at the University of South Dakota, here contributes an essay about American college students coming to Greece, as part of study-abroad programs. This post represents a modified and shortened version of the 63rd Annual Harrington Lecture, which he delivered 28 October 2015 to the College of Arts and Sciences of the University of South Dakota. Lehmann was a Regular Member of the American School of Classical Studies at Athens in 1982/3, lived in Greece while he wrote his doctoral dissertation, and has returned often, three times as the Director of the Summer Session for the American School and regularly since 2005 as one of the professor-captains of the University of South Dakota’s short-term faculty-led study-abroad program “The Isles of Greece!”.
After disappointing tourism numbers for the 2004 Olympics, the Greek National Tourism Organization launched a major campaign, “Live Your Myth in Greece,” to rekindle Greece in the world’s imagination. When a group of my students arrived in Athens in 2005 for the study-abroad program The Isles of Greece!, they saw the advertisements for this campaign on the billboards and buses on the way into the city. At first glance, the images appeal to the typical touristic expectation of the Greek quartet of sea, sun, sand, and sex. But the classical architecture and supernatural figures suggest a more complex imaginary mix. The fine print on some of these posters read:
Greece: a land of mythical dimensions. Where the spirit of hospitality welcomes you as a modern god. And the siren song draws you into its deep blue waters. Where a gentle breeze through ancient ruins seems to whisper your name. And a dance until dawn can seem to take on Dionysian proportions. In Greece the myths are still very much alive. And in amongst them sits your own . . . patiently waiting for you to live it. Live your myth in Greece. Ask your travel agent.
Posted by Betsey Robinson
Betsey A. Robinson, Professor of History of Art at Vanderbilt University, here contributes to The Archivist’s Notebook an essay about the history of the reconstruction of the Lion of Amphipolis in the 1930s and the people who spearheaded it; she also reminds us of recent work by the American School in the area in 1970. Her current essay is based on extensive archival research she conducted in the Archives of the American School of Classical Studies at Athens a few years ago, which resulted in an article entitled “Hydraulic Euergetism: American Archaeology and Waterworks in Early-20th-Century Greece,” in Philhellenism, Philanthropy or Political Convenience? American Archaeology in Greece, ed. Jack L. Davis and Natalia Vogeikoff-Brogan (Hesperia 82: 1, special issue), Princeton 2013, pp. 101-130.
Εἰπέ, λέον, φθιμένοιο τίνος τάφον ἀμφιβέβηκας, βουφάγε; τίς τᾶς σᾶς ἄξιος ἦν ἀρετᾶς;
Tell, lion, whose tomb do you guard, you slayer of cattle? And who was worthy of your valour?
Anthologia Palatina 7.426.1-2 (Trans. M. Fantuzzi & R. Hunter)
The lines above, by Hellenistic poet Antipater of Sidon, are as much of a tease today as they were when Oscar Broneer quoted them in The Lion Monument at Amphipolis in 1941. As I write, each day brings tantalizing new discoveries at Amphipolis where the Kasta Hill is being excavated by the 28th Ephorate of Prehistoric and Classical Antiquities. Less than 5 km to the south, the colossal marble lion that was reconstructed in 1937 has attracted renewed attention since archaeologist Katerina Peristeri and architect Michalis Lefantzis reported evidence connecting it to the mysterious tumulus (http://www.archaiologia.gr/en/blog/2013/04/01/the-lion-of-amphipolis/). Nearly a century after the lion’s discovery, as we await the excavators’ next revelations, it seems a good time to reflect on the lion and its modern history. Read the rest of this entry »